For Love of Country...
An exploration of healing. "For love of country they accepted death, and thus resolved all doubts, and made immortal their patriotism and their virtue."-- Garfield 1868. This contemporary dance performance grapples with the afro-future and our nation's aim to move forward. What does reconciliation look like?
Fit The Description
A love letter to all who have been accused of being a suspect because of the color of their skin, their hairstyle, their spunk, their clothing style, the shape of their nose, the color of their teeth, how they laugh, who they worship, or where they eat lunch.
Touch My Hair?
Inspired by Antonia Opiah's live art exhibit in Union Sq Park this piece explores the past and present day dialogue on the intimate act of hair touching, meditations on "Black" hair and its affect on the psyche.
Stand Your Ground
A dance exploration of fear, hate, and hope in the 21stcentury, it examines how fear of the Black body has evolved and manifests itself as of late. Driven by a DJ mixed soundscape investigates what inner turmoil lies within a nation that elects a Black President and concurrently slaughters unarmed innocent men women and children such as Jonathan Ferrel, Renisha McBride, Jordan Davis and Michael Brown.
This piece is inspired by Sarah Baartman, also known as Hottentot Venus.
Strength of Submission
What Does it Take to Surrender? Who’s Really in Control?
Alexandra Joye Warren and JOYEMOVEMENT have presented work at...
Art+Dialogue, Greensboro College 2015
Trillium Performing Arts Festival, Lewisburg, WV 2015
La Femme Festival, Chicago, IL 2015
Faculty and Guest Artist Concert, University of North Carolina at Greensboro, 2015
Greensboro Fringe Festival, 2015
Loose Leaves Festival, Charlotte, NC 2014
Emergence Festival, Durham Arts Council Theater, 2014
The Pearl, Brooklyn, NY 2011
Allentown Symphony Hall, Pennsylvania 2011
Solar One Festival, East River Manhattan 2008, 2009
Work and Show Festival, Tribeca Performing Arts Center,New York, NY 2008
The Dance Place, Washington, D.C. 2008